Showing posts with label History of Graphic Design (ARTH 3394). Show all posts
Showing posts with label History of Graphic Design (ARTH 3394). Show all posts

Tuesday, November 14, 2017

new developments & a call for change: macintosh, meggs, & museums

key terms:
steven heller: cult of the ugly, eye, 1993
philip b. meggs, history of graphic design, 1983
mildred friedman, walker art center, Minneapolis, MN
stefan sagmeister
  • questioning where the field is going
stephen heller:


  • 1993: stephen heller writes an article called "the cult of ugly" 
-singles out magazine called output by cranbrook students
-says it's symbolic of all that's gone astray in graphic design
-ugly design could be trying to defy standards
"cult of ugly" article- stephen heller
cranbrook students' magazine
philip meggs:
-writes a history of graphic design textbook --> growing next generation of students


first comprehensive history of graphic design 1983
many editions:




mildred friedman:
mildred friedman
curator of graphic design at walker art center
explored ways to present graphic design in exhibition
walker art center
shows a lot more graphic design than anywhere else

comprehensive, w accompanying textbook
graphic design as barometer of society that it reflects
graphic design as agent of political, cultural, etc. change

design/brand identity for walker
1989 (?) exhibition
april greiman
for exhibition
  • 2011 exhibition: "now in production"
-showed that graphic design went from a profession to a widely used tool in communication
-broadens professional scope of graphic designer
-looked at design magazines/publications, branding programs, subcultures
-showed entrepreneur aspect of graphic design



  • 1984 (?): macintosh apple & growth of internet

april greiman
macintosh 2
also allowed untrained graphic designer to enter the field

“You can’t do better design with a computer, but you can speed up your work enormously.”
-Wim Crouwel


“Technology over technique produces emotionless design.” 
– Daniel Mall


"Computers are to design as microwaves are to cooking."
-Milton Glaser


"Design is easy. All you do is stare at the screen until drops of blood form on your forehead."
-Marty Neumeier


"There are now about as many different varieties of letters as there are different kinds of fools."
-Eric Gill


"Skill in the digital age is confused with mastery of digital tools, masking the importance of understanding materials and mastering the elements of form."
-John Maeda

stephen sagmeister:



lyrics as "tattoos"
investigation of aesthetic of tattooing
assistant carved letters into his body w a knife
confrontational
suggesting graphic design is raw & human,
not commercial
publicizing a lecture of cranbrook's 
garland called for renewed humanist dimension in graphic design
2000 call to get away from just branding & selling
"the scope of debate is shrinking- it must expand"

Thursday, November 9, 2017

postmodernism | rudy vandderlans & zuzana licko: emigre, david carson: raygun, rick poyner: eye, ed fella, katherine mccoy at cranbrook

key terms:
katherine mccoy & cranbrook academy
ed fella
david carson, raygun magazine
rick poyner, eye magazine
rudy vanderlans & zuzana licko, Émigré magazine
  • just as bauhaus was being closed, cranbrook was being opened in the U.S. in the 1930s
cranbrook academy of art
est. in michigan, 1930s
-complexity
-contradiction
-experimentation/exploration
-embraces postmodern movement
-graphic design department for graduates only
-postmodernism should be considered on the same realm as pure modernism

katherine mccoy:
-co-chair of graphic design department w her husband michael mccoy
-worked for unimark (swiss style design firm)


poster for cranbrook graphic design program, 1988
overprinting
layering
not a clear, rational program
photographic collage
challenging text
COMPARED TO:

swiss style
clear, rational
philadelphia college of art poster
layered type
different weights
effort needed to read
typography as discourse
relationship btwn type & image

ed fella:
-studies w mccoy
-embraces new theory, deconstructivist concepts
-progressive spirit
-revived handwritten typography
-his work is compared to futurist's words in freedom
-wanted to make it all more personal
-appealed to creativity & unfettered freedom
-rebellion against corporate style
-explores entropy, disintegrating forms from repeated copying, found typography, clip art, scribbles
-irregular letter forms & space
"deconstructing is a way of exposing the glue that holds together western culture"

expressive
raw
handwritten
misshapen
bringing back handwriting
playful, exploration
"american folk art" typography









important graphic designers:
-steven heller
-michael beirut
-ellen lupton
-rick poyner

rick poyner:
-established eye magazine
-doesn't practice graphic design
-his writings have had a huge impact








reference to theo ballmer









rudy vandderlans & zuzana licko:
-both immigrants, embraced american diversity
-licko embarks on digital typography (same year that macintosh comes out)
-start emigre journal (1984- 2005)
-credited as first to create digital fonts made on & for the computer








last issue of emigre
bc expensive to produce quarterly
licko's fonts

david carson:
-founded raygun magazine (1992)
-practicing graphic designer
-moved to California; interested in surf culture
-largely self taught
-superimposition
-image & text
-accepted unpaid internship for action magazine
-went to switzerland to attend 3 week workshop of graphic design
-style: expressive deconstruction, especially in composition & legibility
-maximum expressive effects
-can also place his work in grunge movement: disheveled, the edge
-blurred photos, "dirty" type
-re-energized postmodernism












last issue of raygun
  • started own studio: carson design in new york city