surrealism:
-(unlike dada) highly organized group of artists rallied around andre breton
-adopted basic premises of psychoanalysis
-objective reality of the dream
-automatism, hallucinatory & irrational thought associations, recollected dream images offered means of liberating the psyche from enslavement to reason
-automatism: process of tapping unconscious by writing in trance-like state & registering involuntary, vivid images that tumbled out
-subconscious mind, repressed desire, imagery of dreams
-(unlike dada) highly organized group of artists rallied around andre breton
-adopted basic premises of psychoanalysis
-objective reality of the dream
-automatism, hallucinatory & irrational thought associations, recollected dream images offered means of liberating the psyche from enslavement to reason
-automatism: process of tapping unconscious by writing in trance-like state & registering involuntary, vivid images that tumbled out
-subconscious mind, repressed desire, imagery of dreams
-devoted to individualism & alienation --> no stylistic consistency
-two major directions: automatism & illusionistic dream imagery
first surrealist manifesto- andre breton:
-no fixed method for analyzing dreams
-chance: an obscure divinity
-believe in future resolution of dream & reality --> surreality
-the marvelous is beautiful
-surrealism: pure psychic automatism by which it is intended to express the true function of thought
thought dictated by absence of all control exerted by reason & moral preoccupations
belief in superior reality of certain forms of association, omnipotence of dream
-two major directions: automatism & illusionistic dream imagery
first surrealist manifesto- andre breton:
-no fixed method for analyzing dreams
-chance: an obscure divinity
-believe in future resolution of dream & reality --> surreality
-the marvelous is beautiful
-surrealism: pure psychic automatism by which it is intended to express the true function of thought
thought dictated by absence of all control exerted by reason & moral preoccupations
belief in superior reality of certain forms of association, omnipotence of dream
- reconstructing fragments of humanity & psyche
- investment in the erotic, eros, love
- "if you love Love, you'll love surrealism"
photograph of a "waking dream" seance- man ray artist as clairvoyant primitive space of individual/unconscious |
- many dada members moved over to surrealism after dada broke up
- andre breton- founder of surrealism
-works were mainly texton dreams- sigmund freud:
-introduced freud's ideas into surrealist circle
-travels to vienna to meet w freud
-theories were instrumental in forming modern concepts of human nature & motivation
-writings on dreams & unconscious changed traditional ideas about origins of visual imagery
-dream-thoughts are represented symbolically through similes & metaphors, includes recollections of impressive experiences
-psychial complex: portions represent foreground & background, conditions, digressions, illustrations, evidence, counter-arguments
-reproduce logical connection by approximation in time & space
anti-rational vision but different than dada
- dereve- marvelous chance encounters
- trying to find enchantment in disenchanted world in aftermath of WWI
luis bunuel & salvador dali, un chien andalou 1928 |
parisian surrealist group in 1929 around a painting by magritte eyes close= anti-seeing |
-shared set of ideas & tactics
-anti-retinal: rejecting privilege of visual, alternative forms of seeing (in unconscious)
ad in the surrealist revolution no. 1 (dec 1924) "we are at the eve of a revolution. you can take part it too" |
the surrealist centrale- man ray 1924 |
- pseudo-scientific aspect
^exquisite corpse drawings published in la revolution surrealiste 1927
collective drawing practice
invades rational
constructed in fragmented way
- automatic writing & drawing
- alternative logics
-would be revolutionary artistic practice
-transforming experience of the world
andre masson:
-abstract calligraphy: rhythm of swift lines or cursive brush marks generated images of violence & dramatic encounters of form
untitled (automatic drawing)- andre masson 1924 |
- rejecting rational = rejecting modernity?
- investment in meandering, collective, seeking connections
the lugubrious game- salvador dali 1929 "lugubrious" = looking sad & dismal illusionistic painting, dreamscapes, fluid, continuous line |
the figure- andre masson 1927 liquid glue & sand |
-derived forms from childhood memory
-didn't embrace trompe-l'oeil techniques
-automatism
the kiss- joan miro 1924 line references organic life forms abstract? |
birth of the world- miro 1925 abstract |
the key of dreams- rene magritte 1935 seemingly didactic abstract meaning? dissociation of image & text |
-dada --> surrealism
-frottage technique: textures by rubbing objects & surfaces on sheets of paper
little machine constructed by minimax dadamax in person- ernst 1919-20 uses type to create mechanical portraits of himself |
self-constructed little machine- ernst 1919-20 uses type to create mechanical portraits of himself |
-dadaist --> surrealist
-photography was ideal medium to literalize dreams
minotaur- man ray 1934 double seeing objective instrument used to create abstract images |
untitled- man ray 1920 |
anatomies- man ray 1930 |
- women's bodies used a lot in surrealism
the primacy of matter over thought- man ray 1929 |
- critique of modernism as philosophical
- interested in bringing art back to every day, here & now
the world at the time of the surrealists 1929 |
new mexico published in La R.S. no 9-10 |
andre breton's home in 1960 interest in the fetish & created own fetishes through surrealist objects |
dark, nihilistic, violent dimension
rejection of values of western humanism
acephale- society & journal; interest in human sacrifice
vs.
andre breton
beauty, erotic drives, aesthetics
suspended ball- alberto giacometti 1930-31 kinetic sculpture might be mimicking sexual relationships new: you have to touch it in order for it to move |
- objective chance: experience of chance on finding a marvelous objects; chance & fate
invisible object- giacometti 1934 |
object of symbolic function- salvador dali 1931 invented use value for objects imagined function |
- uncanny: the familiar returning to you in a strange guise
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