key terms:
das sachplakat (or the object poster)
lucien bernhardhans rudi erdt
otto baumberger
hans josef sachs: das plakat magazine, verein der plakat freunde (society of the friends of the poster)
julius klinger
julius gipkins
otto lehmann
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plakatstil characteristics:
bold
reductive
flat color
placing the thing/object above everything else
rejection of unnecessary ornament
eliminates narrative
berlin, 1900 |
entrance of goods in marketplace --> competition --> need posters
lucian bernhard created the priester matches poster "developed" object poster |
bernhard's submission to design contest |
bold letters, flat colors turns away from complexity of art nouveau |
manoli poster- bernhard sans serif "m" further simplifies the work 1910 |
- bernhard & erdt sign their mass-produced posters
poster for opel automobiles- hans rudi erdt |
german work vs. this american poster different aesthetic, pragmatic, lots of info |
erdt's manoli poster is a bit more fanciful than bernhard's but still reductive |
otto baumberger- swiss artist |
PKZ department store poster- otto baumberger 1920s |
das plakat magazine style spreads through dissemination of journals/magazines |
1913 journal cover |
1913 |
- magazine pushed forth legal issues regarding plagiarism, role of art in service of commerce
- celebrates early period of commercialization & industrialization through lens of graphic design
typewriter poster- bernhard |
bernhard |
bernhard |
gate in berlin |
- hans josef sachs= jew
dental license was taken
forbidden to own any politically motivated posters (his collection)
stores owned by jewish merchants were destroyed |
julius klinger jewish descent |
julius klinger |
posters in support of war effort:
julius klinger using sachplakat techniques story about war effort- suggested that citizens supported germany by buying bonds & it would wound the enemy |
bernhard poster for war loan campaign use of gothic lettering amplifies militaristic feel |
julius gipkins advertising exhibit of captured enemy airplanes |
otto lenann |
otto lehnann |
VS.
british war poster is more traditional sense of narrative victorious figure, very delacroix |
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